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Biography
Íride
Martínez was born in Costa
Rica where she began her musical education.
She subsequently went on to study in Los Angeles, in Italy with Mirella
Freni and Prof.
Elio Battaglia and with Wilma
Lipp in Munich/Germany.
She enjoyed early success in a number of important international concours,
including the Bilbao Singing Competition in Spain and the Caniglia Competition
in Italy.
After a number of guest appearances in Italy and Argentina, she moved
to Germany where she first joined the ensemble of the Braunschweig-Opera,
moving in 1996 to the Cologne
Opera.
Her international breakthrough came in 1998, with a critically-acclaimed
interpretation of the role of "Viola" in the world première
of Manfred
Trojahn's Was
Ihr Wollt at the Munich
State Opera, earning her the coveted title of Young Artist of the
Year 1998 by a panel of 50 music critics.
She went on to appear as "Pamina" in Mozart's
Die Zauberflöte at the Ludwigsburg
Festival, while at the Cologne Opera she sang the role of the "The
Nightingale" in Braunfels'
Opera Die
Vögel (The birds).
In 1999 the Semper
Oper in Dresden invited her for their new production of Ariadne
auf Naxos, conducted by sir
Colin Davis and directed by Marco
Arturo Marelli.
Iride Martines triumphed as "Zerbinetta" and was immediately
re-invited to sing the role of "Sophie" in Der
Rosenkavalier the following Season, conducted by Semyon
Bychkov.
Her
ever
expanding repertoire includes the roles of "Nanetta" in
Verdi's
Falstaff, "Giulietta" in I
Capuleti e i Montecchi, the title role in Donizetti's
Lucia di Lammermoor as well as "Gilda" in Rigoletto
and "Norina" in Don
Pasquale, "Adina" in L'Elisir
d'amore, and "Violetta" in La
Traviata.
Her debut at the Bregenz
Festspiele came in 2000 as "Queen Schemacha" in Pountney/Fedosejev's
production of Rimski-Korsakov's
The
Golden Cockerel with the Vienna
Symphony Orchestra, while at the Innsbruck
Festival she sang the role of "Flaminia" in Joseph
Haydn's Il
mondo della luna, counducted by René
Jacobs, adding other major successes to her career.
In 2002 she was "Marfa" in The
Tsar's Bride at the Vienna
Konzerthaus and at the Salzburg
Festival she was "Semele" in Die
Liebe der Danae conducted by Fabio
Luisi.
She
returned to Salzburg in 2003 as "Konstanze" in Mozart's Die
Entführung aus dem Serail, conducted by Ivor
Bolton and sang in the 2004 festival's Mozart Matinée Concerts.
Iride Martinez has made regular appearances at the Spoleto
Festival in Italy, as well as Rome, Essen, Stuttgart, and Frankfurt.
Her concert appearances have included the Bamberger
Symphoniker under Claus
Peter Flor and the Gürzenich
Orchestra in Cologne conducted by James
Conlon.
Other significant appearances recently have included Zurich, the Lucerne
Festival, the Vienna
Symphony Orchestra, Turin with the orchestra
della RAI, Santa
Cecilia Rome and concerts with the Czech
Philharmonic Orchestra in Prague.
In addition, a critically-acclaimed debut with the Berlin
Philharmonic Orchestra took place in June 2003.
As
much at home in contemporary repertoire, her engagements have included
the Munich Philharmonic
Orchestra, the Hannover and Frankfurt
Radio Symphony Orchestras, and in the autumn of 2000 she sang the
French première of Arvo
Pärt's Como
anhela la cierva at the Palais
Garnier in Paris.
Engagements
in the Season 2003/04 included the world-première of Matthias
Pintscher's L'Espace dernier at the Opéra
National Bastille in Paris and a particular highlight as "Queen
Maria Luisa" in Menotti's
Goya alongside Placido
Domingo at the Vienna KlangBogen in July 2004.
In the year 2006 she was singing in the Glyndebourne
Festival the rol of Tytani a in Midsummer
Night’s Dream and in Bern
Opera in Rossini’s
Viaggio a Reims.
Highlights of the last season 2007 for Ms. Martinez were successful appearances
at the Berliner
Deutsche Oper in Lucia
di Lammermoor, concerts conducted by Lorin
Maazel for Valencia
Opera and the main soprano part in World Premiere “La
hija del cielo” in Las Palmas, Gran Canaria in the Fura
del Baus production.
The present season 2008/09 Iride Martinez will make her Debut at La
Scala di Milano for Lorin Maazel's
1984, conducted by Mē
Maazel and the Jurmala Festival in Latvia as Adina in Elisier
d’amore.
In
the coming season she will appear at the Bilbao
Opera House in Fille
du Regiment.
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